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PHiL
No John Clark for ‘Jack Ryan’ Origin Story
Mark Pellington Wants to ‘Melt With’ Sasha Grey
The Pros and Cons of Jon Hamm as Superman
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Thor Comic-Con Footage Hits the Web; And It’s Awesome
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Machete Blood Red Band
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Comic-Con 2010: Retired and Dangerous, RED Looks Like a Winner
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Interview: Sharing ‘Inception’ Theories with Cillian Murphy
No John Clark for ‘Jack Ryan’ Origin Story
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Five Brothers Really is… Real
Video Interview: Evan Goldberg Talks Gondry and ‘The Green Hornet’
Video Interview: Patrick Lussier Talks Cage, Sex and ‘Drive Angry’
Interview: Mark Wahlberg talks ‘The Other Guys’ and ‘Fighter’
Interview: Debra Granik from ‘Winter’s Bone’
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Comic-Con 2010: 10 Things I Liked, 5 I Didn’t
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This Week In DVD: July 27th
Culture Warrior: Christopher Nolan’s Asshole Protagonists
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Rohmer’s most beloved works are included in his series, “Six Moral Tales.” Some of the most respected titles in this series – those that basically defined Rohmer – were La Collectionneuse (1967, winner of the Silver Bear at the Berlin Film Festival and Rohmer’s first color film), My Night at Maud’s (1969, receiving an Academy Award nomination for Best Foreign Language Film and earning Rohmer a Best Adapted Screenplay nomination), Claire’s Knee (1970, top-prize winner at the San Sebastian Film Festival), and Love in the Afternoon (1972). Rohmer won the Grand Prize of the Jury award at the Cannes Film Festival in 1976 for his film The Marquis of O. The director won the Golden Lion at the Venice Film Festival in 2001 for his career in filmmaking.



























