Box Office: Hannah Montana’s Fast Climb to $34 Million

Posted by John Cairns (jcairns@filmschoolrejects.com) on April 12, 2009

rr-itsmiley

Well, this Easter weekend was billed as a battle between the boys and girls at the box office, as Hannah Montana threatened to take down last weekend’s box office champ Fast and Furious. And the girls won — or more likely, “the” girl won. So many girls went to see Miley Cyrus that she ended up in first place with a haul of $34 million, knocking off the sinking Fast and Furious which dropped to $28 million.

I can’t say I’m surprised, I know there were a lot of people who didn’t expect Hannah Montana to do this well, but I knew this franchise had a lot of die-hard fans. I definitely saw this one coming all week long, what with Fast and Furious slowly but surely sinking at the box office every day since the end of the weekend. This movie dropped 59 percent from last weekend. That’s what you get when a movie over-performs at the box office one week and then comes back for more the next. I actually expect a similar story to play out for Hannah Montana. All the tween-age girls who wanted to go see it will have seen it, and you won’t see them back next weekend. Instead, I suspect many of them will go check out Zac Efron in 17 Again.

All in all I am not surprised with the results of the box office, and I am not surprised to find my tastes in movies out of sync with the boring people of middle America yet again. I know, already — Hannah Montana isn’t aimed at people like myself. I still find her boring as all heck, and I can say the same thing for the High School Musical franchise, too.

It’s not that I don’t like Disney movies — it’s just that these folks over there have been spewing out the same old stuff recently with the same people in them all the time. This is the second Hannah Montana movie in two years, for crying out loud. And people are showing no sign of being fed up, yet. Can’t we have some variety?? I want to see something from Disney that isn’t the same boring stuff all the time — I want to see a return to movies like The Lion King or something like that. Something that indicates a return to the glory days of Disney. But as long as we get figures like $34 million for Hannah Montana. and $42 million for the opening of High School Musical 3, we can only look forward to more of this stuff getting the green light– not only from Disney but from the competing studios, too. In fact, I understand this is the second-highest open for a G-rated live action movie of all time behind High School Musical 3.

I guess this is the inner 12-year-old inside of me complaining, because I wouldn’t have liked this current Disney stuff even if I was 12 years old. I would have preferred stuff with monsters, or even aliens. But that’s just me.

As usual, the “Feast or Famine” trend continued at theaters as the other two new wide releases both ended up on the scrapheap. Observe and Report which only came in at $11 million, much worse than most anyone expected. I guess the appeal of that international sex symbol Seth Rogen only goes so far. Or more likely, people may have assumed this was just a ripoff of that Paul Blart: Mall Cop movie they didn’t like the first time, so they didn’t show up.

Dragonball Evolution only hauled in $4.6 million, and I get the impression some really bad buzz out there for this movie killed it. I read that the tracking for this movie was really bad, and the critics by and large hated it, so that’s the end of that movie.

The final damages:

  1. Hannah Montana The Movie $34,000,000
  2. Fast and Furious $28,783,000
  3. Monsters Vs. Aliens $22,617,000
  4. Observe and Report $11,140,000
  5. Knowing $6,670,000
  6. I Love You, Man $6,412,000
  7. The Haunting in Connecticut $5,710,000
  8. Dragonball Evolution $4,650,000
  9. Adventureland $3,433,000
  10. Duplicity $2,997,000

I hope you all had a happy Easter weekend. That’s all for now. See you next week when the Reject Report cranks it up again — until then, don’t bet on the movies.


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  • i agree. i miss the good stuff of disney. i'm willing to give a movie aimed at any age a chance, but what you say about your inner 12 year old is spot on.

    also, i do have a thought. maybe i'm totally off, but i think O&R may honestly have something to do with the economy. this is completely and totally way off for me, but ALL of my comedy-loving friends that didn't go see I Love You, Man on opening weekend went to see O&R this weekend. and NONE of my friends (or myself) that went to see I Love You, Man when it opened went to see O&R this weekend. and almost all want to see both. so it could be a "not near enough to the 1st or the 15th of the month" kind of movies.

    plus, even though i will go see this in theaters...O&R looks like one of those lonely Saturday nights in a hotel before it's appropriate to watch porno kind of flicks. but maybe that's just me.
  • I don't think the economy had anything to do with it. No when F&F made a rediculous $71 million on its opening weekend and the box office is up almost %15 year to date from 2008.

    Also, the bulk of the audience for I Love You, Man saw it on opening weekend, which is the case with most films. Heck, even if every ticket bought for I Love You, Man this weekend, O&R would have still made less than $20 million. And that's if *everyone* from the ILYM audience saw it.
  • i think you're right. but you STILL didn't answer the real question: who gave billy ray cyrus the right? WHO?! (of course here i am referring to the soul patch.)
  • I don't think it's really a traditional soul patch. I think it's a part of his mullet from his country music heyday that concentrated itself and found a new home on his face.
  • John, I think you're looking at the past with rose-colored glasses. Around the time that Disney was making The Lion King, it was also making the live-action versions for 101 Dalmatians and George of the Junlge. If you say what some might, that WALL-E doesn't count because it's Pixar, what about Bolt, which was nominated for an Oscaar?

    So, like any studio, what you consider to be its crap has been dolled out for years along with some good movies. Also, the Disney studio has produced some fine movies like WALL-E and the Narnia movies, so not everything Disney is Hannah Montana and HSM. This stuff has been going on for decades with both old and new versions of The Parent Trap and The Shaggy Dog being made as cash cows.
  • Also, at the end, you say that people discounted O&R because it was a rip-off on Paul Blart, which they didn't like. I hate to be the bearer of bad news, but no matter how you slice it, Paul Blart was a bona fide his. You can't discount the numbers. The movie grossed $143 million for a low-budget January release. It was #1 for two weeks in a row and stayed in the top 10 for 10 weeks. Regardless of whether you liked it or not, America did.

    I think that crowd stayed away from O&R because all the reviews and stories talked about how it was NOT like Paul Blart, that it was R rated and that it was extremely dark (all of which is true). It may not jibe with your tastes, but way more people in this country wanted to see Paul Blart than wanted to see O&R.
  • 790
    Lol,,,, thanks Hannah for kicking Seth in the balls !!!!! I love it !

    DragonBall Wow that has to be the biggest bomb this year !!!!

    Paul Blart was a hit because Kevin James is a likable guy. Seth Rogen comes off like an apathetic serial killer. If he wasn't acting this guy could be drawing clowns and butchering young kids under his moms house.

    Also after watching SNL last night I have to say if Zach Efron leaves his Disney roots he could become a great actor.... Kids got talent!!!
  • HempKnight 757
    More people would wanna see it because it was open to a wider rang of ages & it was the first mall cop movie...its a no brainer. Either way I wouldn't see Blart if it was only movie showing for the rest of time. Talk about a huge chunk of shit. O&R was alright
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