Avatar Day: Kevin Carr Has Seen the Epic 3D Light!
Posted by Kevin Carr (kevin@filmschoolrejects.com) on August 21, 2009
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Before I even begin talking about the filmmaking aspect of the much-hyped 16-minute tease of Avatar, dropped in theaters this afternoon in IMAX 3D, I can sum up my experience in one simple phrase:
Science fiction paperback covers.
For those of you who actually read words on real paper, you might remember browsing the science fiction section of your local bookstore or library. Whenever I have done this, I have been fascinated by the vibrant, brilliant covers on these books. You know the type I’m talking about, those epic fantasy scenes painted by the hand of someone like Boris Vallejo.
I felt the same level of fascination watching these scenes from James Cameron’s new film. It is as if one of Boris’ covers came to life and jumped on my lap in the IMAX theater tonight. The experience was a visual masterpiece. We only got a taste of the plot, which doesn’t seem that original (but then again, what James Cameron film has a solidly original plot?):
A group of soldiers are settling on a strange and wondrous planet. Their minds are implanted into indigenous beings of this planet so they can interact with their surroundings. When one of the soldiers’ avatars is separated from the group, he lives with the natives and learns their ways. You know the drill… like Cameron has said before, it’s Dances with Wolves in space.
But who cares about the story at this point in time. This 16-minute IMAX 3D tease was all about showing us the look of the film. And I can say that it looks absolutely phenomenal.
All the online griping about the look of the trailer is appropriate only if you’re going to watch the film on your computer monitor. But remember: this movie was not optimized for laptops. It was optimized for IMAX 3D. The flatness that could be seen in the trailer is gone from the projected print. Sure, there’s a bit of the uncanny valley flesh tones to the humanoid creatures, but they still look amazing.
But it’s not the humanoids that look so grand. The various alien creatures displayed were visionary, especially the final scene in the clip. See below for more on that.
Aside from the praise I have for the brilliant, photorealistic, rich and vibrant virtual world, I have to make a special note about the action sequences in the large format. IMAX projection is so huge that it doesn’t always work to shoot these scenes the same way you would with a 35mm movie. Too much movement and too many close-ups will result in double images on the screen. It’s just simply so big that your mind no longer sees the action in a smooth, continuous motion. Basically, you can’t blow up some herky-jerky shakycam with Michael Bay close-ups and have it look perfect on the IMAX screen.
In the Avatar scenes presented tonight, I saw a little bit of that aritfacting happening in the live-action scenes. Perhaps it was just my eyes getting adjusted to the glasses, but once we moved into the virtual world, things seemed so much smoother. It seems to me that the digital manipulation of the virtual scenes provide greater control of the images so even with whip-ass action, close ups and tons of shit thrown at the screen, these scenes still look fluid and awesome.
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With all that said, here’s a quick break-down of what we saw.
Intro
James Cameron welcomed us to the early screening of the IMAX footage. And yes, he was in 3D.
Scene 1
The first live-action scene featured a military briefing, which we had seen before in films like Aliens. Lots of machismo, an introduction to Sam Worthington in a wheelchair and lots of badass thrown around.
Scene 2
We’re in a lab scene with Sigourney Weaver as a scientist. She’s strapping Sam Worthington into a CAT-scan machine that’s really not a CAT-scan machine. Again, we’ve seen these kind of lab set-ups in various James Cameron movies. But things become different when we learn that they’re grafting Sam Worthington’s mind into a nine-foot tall blue alien. The transfer is successful, but he kinda wigs out a bit. It’s a pretty seamless joining of live action and CGI alien in the room.
Scene 3
The cool shit begins. Sam Worthington and Sigourney Weaver are now aliens on the planet, and they’re fighting an alien rhino that is ready to kick some serious ass. Here’s where I began to respect the hell out of the creature design. But before we’re done with the peacocking bat-shit-crazy rhino, we’re introduced to another massive creature… one that wants to eat Sam Worthington’s avatar. Cue awesomely cool jungle chase by a massive predator that eats big-ass guns for breakfast.
Scene 4
A campfire scene where no one even thinks about singing Kumbayah. Some weird-ass little creatures are attacking Sam and his buddies, and a Sheena alien comes in to kick some tuckus. Dim the lights and let’s get ready for some alien love. Oh, and we get a taste of a message, implying that humans are going to destroy this world like they did their own.
Scene 5
The coolest fucking scene in the entire event. Sam Worthington’s avatar has apparently come to live with the natives, and he needs to tame a wild dragon by wrestling it, mounting it and getting it to fly with him on its back. Here’s where you see all the budgetary dollars on screen. Unlike the Harry Potter films, this scene populates the screen with oodles of photorealistic dragons that look like the aforementioned Boris Vallejo paintings come to life. Lots of action, tons of brilliant CG work and a depth of field so endless that you can see dragons flying miles away in the distance.
It was at this point that I became committed to seeing this movie as soon as humanly possible. Message, preaching, potentially overdone plot and undetermined characters be damned. The dragon-riding sequence makes the battle sequences in The Lord of the Rings trilogy look like the old Land of the Lost television show.
The event wrapped up with a smattering of shots from the film. Some we have seen in the trailer online (which look much better projected in IMAX 3D), and some are new. But it looks like a kick-ass movie nonetheless.
In short, Avatar is going to be the cinematic event of this holiday season. It’s opening weekend is going to smash records simply because you can only experience this film to its full degree on the IMAX screen. Interweb pirates can bit-torrent the hell out of this movie, and it’s not going to matter. The only way to experience Avatar will be to watch it through a pair of high-end 3D glasses on a screen 50 feet high.
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