Oscar Beat: Slumdogin’ in DC, Heath Ledger, Man on Wire and Oscar Snubbery

Posted by Neil Miller (neil@filmschoolrejects.com) on December 8, 2008

Not a necessarily large update from the awards season warpath today, but there are quite a few different stories to talk about. As the season wears on toward February, more and more critics associations will be chiming in with their lists of the best films and performances. Today we get updates from Time, the critics of the District and the folks down under, among others.

First up is Time Magazine’s Ten Best Films of 2008. Time’s critic Richard Corliss lopped some love all over Pixar’s WALL-E, giving the cute little bot the top spot. It was followed closely by Synecdoche, New York, My Winnipeg, 4 Months, 3 Weeks & 2 Days, Milk, The Curious Case of Benjamin Button, Slumdog Millionaire, Iron Man, Speed Racer and Encounters at the End of the World. The notable omission was The Dark Knight, which should be good for some fanboy rage — not for the fact that TDK didn’t make the list, but for the realization that not everyone loved The Dark Knight more than their favorite Chewy doll. The interesting choice on Corliss’ list is Speed Racer, which he heralded as an “avant-garde FX masterpiece.” Sure, you could call it that, I suppose. [Time Magazine]

The Washington DC Area Film Critics announced their awards this week, becoming the second critics association in a row (with the NBR) to name Danny Boyle’s Slumdog Millionaire the best film of the year. The also honored Boyle as best director and gave nods to Mickey Rourke (The Wrestler) and Meryl Streep (Doubt) for Best Actor and Actress respectively. The supporting actor nod went to Heath Ledger for his performance in The Dark Knight. [WAFCA]

The WAFCA crew wasn’t the only association handing out posthumous praise to Ledger this week, as the NY Daily News reports the Australian Film Institute recognized Ledger’s performance with it’s top honor. [NY Daily News]

And finally in documentary news, the International Documentary Awards recognized both James Marsch’s Man on Wire and Ari Folman’s Waltz With Bashir as the best documentaries of 2008. On a personal note, Man on Wire is one of the most brilliant docs that I’ve ever seen — and I’m not just being hyperbolic. [Variety]

Also, we were tipped off today to a very interesting article from Film.com’s Dre Rivas. He is predicting that while The Curious Case of Benjamin Button is going to be nominated and possibly win multiple Academy Awards (which having seen the film, I would agree with him). Though, the one who will get snubbed is star Brad Pitt, who undoubtedly delivers the films most important performance. This leads me to my Oscar Beat question of the week below. [Film.com via The Playlist]

Should Benjamin Button be nominated for and win multiple Oscars and Brad Pitt get snubbed (no nomination, no win), would it be a huge tragedy?


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  • Cody Spence
    that is insanity, claiming Speed Racer was anything besides a complete and utter failure of the film world. it is a movie that never should have been made. it is an anime that never should have been made for that matter! making something shiny and wasting millions of dollars on graphics means nothing if the movie is terrible. graphics is not a redeeming factor for anything. it is a luxury. Corliss is dead to me.
  • It would not be a tragedy because he gets to cry on Angelina Jolie's shoulder, who was undoubtedly more deserving in last year's A Mighty Heart. They are the snubb'ed ones.
  • Jam
    Speed Racer is a joke. Are they flipping kidding? What a hack. I agree with Spence that graphics don't make up for anything and I work with them all day long.
  • Steven C
    Time's Top 10 is an absolute joke.
    Who in the fucking hell liked Speed Racer more than the Dark Knight? This guy who ignored the Dark Knight should be shot in the head, I mean really what the hell is wrong with the guy?
  • It wouldn't be a tragedy. Personally I think Milk, TDK, Slumdog Millionaire, Frost/Nixon, and Wall-E will keep it edged out of getting too many nominations. But we'll see what happens when it hits wide release.
  • I can actually see Pitt and Jolie getting matching Oscars this year.

    Also in Oscar news seems The Dark Knights score is eligible again.
  • xSilencio
    Even if Pitt gets a nom, i doubt he can win over Sean Penn or Mickey Rourke.
  • phrenetik
    Sure, Speed Racer is groundbreaking in visual effects.. so groundbreaking in fact that all the swirling colours only gave me a headache at the end of the movie. And it had a second-rate story, no depth, and total lack of seriousness. Maybe everyone's idea of a great movie is different, but Speed Racer is an utter joke even to itself.

    It is a huge tragedy to ALL the snubbed leading actors and actresses if the movie they were in won Best Picture and they got zero. I mean, what's a movie without them?
  • Peter
    "Who in the fucking hell liked Speed Racer more than the Dark Knight?"

    Erm...Me.
    Speed Racer is a paradigm shift in visual effects as radical as the one that occurred in May 1977. Whatever you think of the film, the effects were incredibly innovative and unlike any effects film made to date.

    Don't love everything on TIME's list, but Speed Racer is bold and deserved choice. Its definitely going on mine.
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