Comments on: Caption This: Terminator Salvation http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php A Website About Movies Mon, 13 Feb 2012 20:06:00 +0000 hourly 1 http://wordpress.org/?v=3.2.1 By: Daniel S http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141701 Daniel S Wed, 27 May 2009 23:10:12 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141701 "And that's how babies are made." "And that's how babies are made."

]]> By: Daniel S http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226615 Daniel S Wed, 27 May 2009 23:10:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226615 "And that's how babies are made." "And that's how babies are made."

]]> By: Uma http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141483 Uma Tue, 26 May 2009 12:43:12 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141483 Ever since Terminator Salvation, McG was banished to the sewer community under LA where he now teaches mutants to make bad pornos. Ever since Terminator Salvation, McG was banished to the sewer community under LA where he now teaches mutants to make bad pornos.

]]> By: Uma http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226614 Uma Tue, 26 May 2009 12:43:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226614 Ever since Terminator Salvation, McG was banished to the sewer community under LA where he now teaches mutants to make bad pornos. Ever since Terminator Salvation, McG was banished to the sewer community under LA where he now teaches mutants to make bad pornos.

]]> By: Maestro Easy AJ http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141419 Maestro Easy AJ Mon, 25 May 2009 20:54:08 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141419 Scene* Scene*

]]> By: Maestro Easy AJ http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226613 Maestro Easy AJ Mon, 25 May 2009 20:54:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226613 Scene* Scene*

]]> By: Maestro Easy AJ http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141410 Maestro Easy AJ Mon, 25 May 2009 19:50:40 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141410 "Okay so this one time on CAFL (Charlie's Angels Full Throttle), we did this seen where they totally explode out of this roof *crash* *boom* and grind on broken 2x4's *grrr* *screech*. This scene is kind of like that... only emotional." "Okay so this one time on CAFL (Charlie's Angels Full Throttle), we did this seen where they totally explode out of this roof *crash* *boom* and grind on broken 2×4's *grrr* *screech*. This scene is kind of like that… only emotional."

]]> By: Maestro Easy AJ http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226612 Maestro Easy AJ Mon, 25 May 2009 19:50:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226612 "Okay so this one time on CAFL (Charlie's Angels Full Throttle), we did this seen where they totally explode out of this roof *crash* *boom* and grind on broken 2x4's *grrr* *screech*. This scene is kind of like that... only emotional." "Okay so this one time on CAFL (Charlie's Angels Full Throttle), we did this seen where they totally explode out of this roof *crash* *boom* and grind on broken 2×4's *grrr* *screech*. This scene is kind of like that… only emotional."

]]> By: markr http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141245 markr Sun, 24 May 2009 03:01:09 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141245 "If McG wants shadow puppets the scene, McG gets shadow puppets...." "If McG wants shadow puppets the scene, McG gets shadow puppets…."

]]> By: markr http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226611 markr Sun, 24 May 2009 03:01:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226611 "If McG wants shadow puppets the scene, McG gets shadow puppets...." "If McG wants shadow puppets the scene, McG gets shadow puppets…."

]]> By: Mr_Je11yman http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141203 Mr_Je11yman Sat, 23 May 2009 15:23:46 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141203 Ok, in this scene we are introducing a new terminator model, the bunninator. He looks like a regular bunny, but when you pet him, like this, his eyes glow red and he jumps up and rips out your neck. It will be really cool, and we have found the life model of the bunny from "The Holy Grail," so it will be true to the original! Ok, in this scene we are introducing a new terminator model, the bunninator. He looks like a regular bunny, but when you pet him, like this, his eyes glow red and he jumps up and rips out your neck. It will be really cool, and we have found the life model of the bunny from "The Holy Grail," so it will be true to the original!

]]> By: Mr_Je11yman http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226610 Mr_Je11yman Sat, 23 May 2009 15:23:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226610 Ok, in this scene we are introducing a new terminator model, the bunninator. He looks like a regular bunny, but when you pet him, like this, his eyes glow red and he jumps up and rips out your neck. It will be really cool, and we have found the life model of the bunny from "The Holy Grail," so it will be true to the original! Ok, in this scene we are introducing a new terminator model, the bunninator. He looks like a regular bunny, but when you pet him, like this, his eyes glow red and he jumps up and rips out your neck. It will be really cool, and we have found the life model of the bunny from "The Holy Grail," so it will be true to the original!

]]> By: onebadace http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141179 onebadace Sat, 23 May 2009 06:25:51 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141179 No, trust me, your character should know sign language. No, trust me, your character should know sign language.

]]> By: onebadace http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226609 onebadace Sat, 23 May 2009 06:25:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226609 No, trust me, your character should know sign language. No, trust me, your character should know sign language.

]]> By: RANGER_CARY http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141125 RANGER_CARY Sat, 23 May 2009 00:18:04 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141125 OK guys, I saw this last night, originally wasn't going to but I changed my mind. This scene clearly takes place underground with Moon Bloodgood. The only scenes underground with her are in Connor's Bunker in the TechCom base where Marcus gets hit by the mines and he discovers he is a terminator. This part of the scene looks transitory like she has to walk down the corridor and shoot something. I would guess that this scene is the one where Moon's character has to convince Common's character that she is disgusted by her friend who is found out to be a machine (Marcus, I-950 model) in order to get some private time with him. Moon lies to Common and sends him to Connor after shooting Marcus to convince Common she's not on Marcus' side. This is the point in the movie where humans lose track of where the line is between human and machine. This scene is a great point in the movie, all of the movie except the few scenes in the recent 15 min, have shown Marcus in a very human light, this scene regains that human brightness. Even with the machine parts showing, Moon's character still see's the humanity in him, but when the line is blurred and no one knows for sure if he is in part human because he is so obviously at least part machine. In this time in the movie the good of the few is almost overcome by the ignorance of the many. The blood hungry passion that most humans in the movie felt for the machines was almost the downfall of the human race and this scene is where the tides start to change. This scene is where the desperation of the humans to get rid of skynet starts to be overcome by one out of compassion and this leads to Connor's eventual acceptance of Marcus which forestalls the TechCom attack on skynet. As skynet put it (paraphrasing) in desperate times humans will latch onto any gleam of hope no matter how false and this scene start the reprisal of that nature by instilling human compassion into one and then many. Cole Abaius is right, this should have been the focus of the film, not the idol like worship of Connor or war on the machines. In short though, this scene is where Moon's character helps Marcus to escape to the tunnel below the silo he is being suspended above. OK guys, I saw this last night, originally wasn't going to but I changed my mind. This scene clearly takes place underground with Moon Bloodgood. The only scenes underground with her are in Connor's Bunker in the TechCom base where Marcus gets hit by the mines and he discovers he is a terminator. This part of the scene looks transitory like she has to walk down the corridor and shoot something. I would guess that this scene is the one where Moon's character has to convince Common's character that she is disgusted by her friend who is found out to be a machine (Marcus, I-950 model) in order to get some private time with him. Moon lies to Common and sends him to Connor after shooting Marcus to convince Common she's not on Marcus' side. This is the point in the movie where humans lose track of where the line is between human and machine. This scene is a great point in the movie, all of the movie except the few scenes in the recent 15 min, have shown Marcus in a very human light, this scene regains that human brightness. Even with the machine parts showing, Moon's character still see's the humanity in him, but when the line is blurred and no one knows for sure if he is in part human because he is so obviously at least part machine. In this time in the movie the good of the few is almost overcome by the ignorance of the many. The blood hungry passion that most humans in the movie felt for the machines was almost the downfall of the human race and this scene is where the tides start to change. This scene is where the desperation of the humans to get rid of skynet starts to be overcome by one out of compassion and this leads to Connor's eventual acceptance of Marcus which forestalls the TechCom attack on skynet. As skynet put it (paraphrasing) in desperate times humans will latch onto any gleam of hope no matter how false and this scene start the reprisal of that nature by instilling human compassion into one and then many. Cole Abaius is right, this should have been the focus of the film, not the idol like worship of Connor or war on the machines. In short though, this scene is where Moon's character helps Marcus to escape to the tunnel below the silo he is being suspended above.

]]> By: RANGER_CARY http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226603 RANGER_CARY Sat, 23 May 2009 00:18:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226603 OK guys, I saw this last night, originally wasn't going to but I changed my mind. This scene clearly takes place underground with Moon Bloodgood. The only scenes underground with her are in Connor's Bunker in the TechCom base where Marcus gets hit by the mines and he discovers he is a terminator. This part of the scene looks transitory like she has to walk down the corridor and shoot something. I would guess that this scene is the one where Moon's character has to convince Common's character that she is disgusted by her friend who is found out to be a machine (Marcus, I-950 model) in order to get some private time with him. Moon lies to Common and sends him to Connor after shooting Marcus to convince Common she's not on Marcus' side. This is the point in the movie where humans lose track of where the line is between human and machine. This scene is a great point in the movie, all of the movie except the few scenes in the recent 15 min, have shown Marcus in a very human light, this scene regains that human brightness. Even with the machine parts showing, Moon's character still see's the humanity in him, but when the line is blurred and no one knows for sure if he is in part human because he is so obviously at least part machine. In this time in the movie the good of the few is almost overcome by the ignorance of the many. The blood hungry passion that most humans in the movie felt for the machines was almost the downfall of the human race and this scene is where the tides start to change. This scene is where the desperation of the humans to get rid of skynet starts to be overcome by one out of compassion and this leads to Connor's eventual acceptance of Marcus which forestalls the TechCom attack on skynet. As skynet put it (paraphrasing) in desperate times humans will latch onto any gleam of hope no matter how false and this scene start the reprisal of that nature by instilling human compassion into one and then many. Cole Abaius is right, this should have been the focus of the film, not the idol like worship of Connor or war on the machines. In short though, this scene is where Moon's character helps Marcus to escape to the tunnel below the silo he is being suspended above. OK guys, I saw this last night, originally wasn't going to but I changed my mind. This scene clearly takes place underground with Moon Bloodgood. The only scenes underground with her are in Connor's Bunker in the TechCom base where Marcus gets hit by the mines and he discovers he is a terminator. This part of the scene looks transitory like she has to walk down the corridor and shoot something. I would guess that this scene is the one where Moon's character has to convince Common's character that she is disgusted by her friend who is found out to be a machine (Marcus, I-950 model) in order to get some private time with him. Moon lies to Common and sends him to Connor after shooting Marcus to convince Common she's not on Marcus' side. This is the point in the movie where humans lose track of where the line is between human and machine. This scene is a great point in the movie, all of the movie except the few scenes in the recent 15 min, have shown Marcus in a very human light, this scene regains that human brightness. Even with the machine parts showing, Moon's character still see's the humanity in him, but when the line is blurred and no one knows for sure if he is in part human because he is so obviously at least part machine. In this time in the movie the good of the few is almost overcome by the ignorance of the many. The blood hungry passion that most humans in the movie felt for the machines was almost the downfall of the human race and this scene is where the tides start to change. This scene is where the desperation of the humans to get rid of skynet starts to be overcome by one out of compassion and this leads to Connor's eventual acceptance of Marcus which forestalls the TechCom attack on skynet. As skynet put it (paraphrasing) in desperate times humans will latch onto any gleam of hope no matter how false and this scene start the reprisal of that nature by instilling human compassion into one and then many. Cole Abaius is right, this should have been the focus of the film, not the idol like worship of Connor or war on the machines. In short though, this scene is where Moon's character helps Marcus to escape to the tunnel below the silo he is being suspended above.

]]> By: Diel http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141141 Diel Fri, 22 May 2009 21:02:15 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141141 He poked me in the eye! Captain Insano shows no mercy. He poked me in the eye!

Captain Insano shows no mercy.

]]> By: Diel http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226608 Diel Fri, 22 May 2009 21:02:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226608 He poked me in the eye! Captain Insano shows no mercy. He poked me in the eye!

Captain Insano shows no mercy.

]]> By: roswello http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-141140 roswello Fri, 22 May 2009 20:37:41 +0000 http://www.filmschoolrejects.com/?p=43494#comment-141140 listen to my voice , you are getting very sleepy, soon you will have an urge to remove all your clothing..... listen to my voice , you are getting very sleepy, soon you will have an urge to remove all your clothing…..

]]> By: Anonymous http://www.filmschoolrejects.com/contests/caption-this-terminator-salvation.php/comment-page-2#comment-226607 Anonymous Fri, 22 May 2009 20:37:00 +0000 http://www.filmschoolrejects.com/?p=43494#comment-226607 listen to my voice , you are getting very sleepy, soon you will have an urge to remove all your clothing..... listen to my voice , you are getting very sleepy, soon you will have an urge to remove all your clothing…..

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