Oren Moverman’s domestic war drama is, put simply, one of the most powerful experiences to be had at the movies this year.

Black Dynamite, the smoothest, baddest mother to ever hit the screen (as per the trailers) is also one of the funniest, at least in recent memory.

The documentary tells the eye-opening story of a New York family living a year of zero environmental impact. That means no movies, no electricity, no disposable goods etc.

‘Amreeka,’ a hit at this year’s Sundance and Cannes Film Festivals, tells a warmhearted, recognizable story about a family of Palestinian immigrants that smartly resists the urge to preach or turn political.

A week ago we reported that Lionsgate was in the process of acquiring Lee Daniels’ Sundance Grand Jury and Audience Award winning film Push: Based on a novel by Sapphire. Today Variety has confirmed what we already told you…

Continuing on with the lukewarm Sundance buyers market, Samuel Goldwyn has picked up the U.S. rights to director Sophie Barthes’ sci-fi drama Cold Souls, which stars Paul Giamatti as himself.

A little later this evening yours truly will be appearing on the /FilmCast’s Special Sundance Recap Show, where I will be joining some of my good friends from around the web to discuss some of the highlights — both inside and out of the theaters — from this year’s Sundance Film Festival.

Before I made my trip to Park City, Utah for the 2009 Sundance Film Festival I gave you a list of the 13 films I was most interested in seeing. And now that I’ve come and gone, surviving another year in the hustle and bustle of America’s great festival, it is my duty to bookend my coverage with a list of the best films of this year’s fest.

Sundance may be over and all of my reviews may be posted, but there is still a ton of cool stuff that I’d like to share with all of you. Chief among those things are some video profiles of some of Sundance’s emerging talents. Among those talents is Humpday director Lynn Shelton…

Of all the movies that play every year at the Sundance Film Festival, it is the shorts that really don’t get enough love. Thankfully, the ‘dance programmers put some of the better shorts in front of certain movies. This brilliant little short, Treevenge, played to the raucous crowds that lined up to see midnight screenings of the Nazi Zombie flick Dead Snow.

My last film screened at this year’s Sundance film festival, Push: Based on a novel by Sapphire, was certainly one of the best. A tragic and touching story crafted beautifully and bravely by director Lee Daniels, Push is more than deserving of that acclaim that it garnered throughout this year’s festival run.

One of the biggest secrets about the Sundance Film Festival is the quality of its documentaries — and though Robert Redford and crew try hard to highlight the exquisite non-fiction section of their yearly independent library, the doc categories are often overshadowed by the bigger, more accessible mainstream releases. But if you think about it, Sundance is the place for docs.

Of all the films that I went to see at Sundance this year, I’ve got the sneaking suspicion that the majority of you are most interested in hearing my thoughts about Tommy Wirkola’s Dead Snow. Call me crazy, but the idea of Nazi Zombies attacking unsuspecting young people in the snowy mountains of Norway just has a certain charm.

Perhaps this year’s most buzzed about Sundance movie, director Lone Scherfig’s period drama accomplished more than few things during its Sundance ‘09 run. First and foremost, it was one of the most well-executed period films of the festival, bringing to life 1960s Britain in a very authentic way. It also introduced us to a brilliant new talent named Carey Mulligan.

Strange, sweet and a little sci-fi. That is how this next selection of Sundance 2009 selections role. As we continue to roll through the end of my coverage of Sundance’s 2009 frame, we take a look at a wildly experimental and odd little film, a sweet romantic comedy telling us a familiar story in an unfamiliar way and a Japanese sci-fi movie that finds some deeper meaning.

In this edition of ‘Neil’s Lazy Sundance Capsule Reviews,’ we take a look at a Hollywood insider comedy, a neo-noir detective story and a wild ride through the mind of Britain’s most famous (and dangerous) prisoners of all-time…

As the 2009 Sundance Film Festival comes to a close, it is time as always for the Juries and Audiences to recognize the best of this year’s festival…

A straightforward romantic comedy about bringing a know-it-all author to his knee’s, director John Hindman’s first film is surprisingly charming and incredibly well-written. As if we should have expected any less…

Every year the Sundance film festival delivers at least one film that I absolutely loathe. Last year it was Downloading Nancy. This year it is The Informers, a self-indulgent, lifeless glamrock drugfest from the mind of Bret Easton Ellis.

If there is one studio that knows how to pick indie winners, it is Fox Searchlight. And they appear to once again be off to a good start by snatching up Max Mayer’s charming and quirky romantic comedy Adam.