
All About: Daniel Walber
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Name: Daniel Walber Location: Reject Since: E-mail: dslavet@gmail.com Bio: |

Read More Articles From This Author
Short Film: “Küzdők” Is a Witty Animated Twist on a Classical Idea
By Daniel Walber on May 22, 2013 | Be the First To Comment
By Daniel Walber on May 22, 2013 | Be the First To Comment
Review: ‘The English Teacher’ Starts Well, But Fizzles Fast
By Daniel Walber on May 17, 2013 | Be the First To Comment
By Daniel Walber on May 17, 2013 | Be the First To Comment
Cannes Short Film: Trick Your Eyes with Norman McLaren’s Trippy ‘Blinkity Blank’
By Daniel Walber on May 15, 2013 | Be the First To Comment
By Daniel Walber on May 15, 2013 | Be the First To Comment
Review: ‘Becoming Traviata’ Is an Intimate and Wise Portrait of Opera’s Greatest Heroine
By Daniel Walber on May 15, 2013 | Be the First To Comment
By Daniel Walber on May 15, 2013 | Be the First To Comment
Short Film: Celebrate Porky Pig Creator Bob Clampett’s Centennial with ‘A Corny Concerto’
By Daniel Walber on May 8, 2013 | Be the First To Comment
By Daniel Walber on May 8, 2013 | Be the First To Comment
Short Film: Fly Through the Fourth Wall with Madcap ‘Thieving Magpie’
By Daniel Walber on May 1, 2013 | Be the First To Comment
By Daniel Walber on May 1, 2013 | Be the First To Comment
The 10 Best Short Films of the 2013 Tribeca Film Festival
By Daniel Walber on April 29, 2013 | Be the First To Comment
By Daniel Walber on April 29, 2013 | Be the First To Comment
Does Tribeca Need an Iconic Theater to Solidify Its Identity?
By Daniel Walber on April 28, 2013 | Be the First To Comment
By Daniel Walber on April 28, 2013 | Be the First To Comment
Tribeca’s Midnight Movies: Raucous Laughter and Bonkers Horror
By Daniel Walber on April 28, 2013 | Be the First To Comment
By Daniel Walber on April 28, 2013 | Be the First To Comment
Tribeca 2013 Review: ‘Wadjda’ Is an Exhilarating Step Forward for Arab Cinema, with a Foot Firmly Anchored in Cinema’s Classics
By Daniel Walber on April 27, 2013 | Be the First To Comment
By Daniel Walber on April 27, 2013 | Be the First To Comment
Three Tribeca Documentaries Turn a Dynamic Eye on Agriculture
By Daniel Walber on April 24, 2013 | Be the First To Comment
By Daniel Walber on April 24, 2013 | Be the First To Comment
Tribeca 2013 Review: ‘The Kill Team’ Is Daring and Essential
By Daniel Walber on April 23, 2013 | Be the First To Comment
By Daniel Walber on April 23, 2013 | Be the First To Comment
Tribeca 2013 Review: ‘The Reluctant Fundamentalist’ Is Barely a Movie
By Daniel Walber on April 21, 2013 | Be the First To Comment
By Daniel Walber on April 21, 2013 | Be the First To Comment
Tribeca 2013 Review: ‘Byzantium’ Gets Lost in Its Own Seduction
By Daniel Walber on April 19, 2013 | Be the First To Comment
By Daniel Walber on April 19, 2013 | Be the First To Comment
Review: ‘In the House’ Is a Much-Welcomed Return to Form for François Ozon
By Daniel Walber on April 18, 2013 | Be the First To Comment
By Daniel Walber on April 18, 2013 | Be the First To Comment
SFotD: ‘One Froggy Evening’ is the “Citizen Kane of Animated Film”
By Daniel Walber on April 17, 2013 | Be the First To Comment
By Daniel Walber on April 17, 2013 | Be the First To Comment
SFotd: Get Spooked with Betty Boop in ‘Minnie the Moocher’
By Daniel Walber on April 10, 2013 | Be the First To Comment
By Daniel Walber on April 10, 2013 | Be the First To Comment
SFotD: A Musical Arms Race Blows Up in ‘Piccolo’
By Daniel Walber on April 3, 2013 | Be the First To Comment
By Daniel Walber on April 3, 2013 | Be the First To Comment
published: 05.24.2013
published: 05.24.2013
published: 05.24.2013
published: 05.24.2013
published: 05.24.2013
published: 05.24.2013
published: 05.24.2013
published: 05.24.2013
published: 05.23.2013
published: 05.23.2013
published: 05.23.2013
published: 05.23.2013
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