All About: Allison Loring
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Name: Allison Loring Location: Los Angeles, CA Reject Since: September 2011 E-mail: allison@filmschoolrejects.com Bio: Allison has long loved all things entertainment and earned her degree learning how to run the sound board on Foley and ADR stages as well as in the recording studio wrangling “rock stars.” (And most importantly – how to sustain oneself on gummy bears and espresso shots) Allison is happiest when watching movies – whether at home with an old favorite or a new release on the big screen. Her love of music has always trickled in and most people listening to her iTunes inevitably ask, “What movie is this song from?” Allison is not happy unless she is “going Mach 2 with her hair on fire” – especially if she is doing so to a killer soundtrack. |
Read More Articles From This Author
‘The Great Gatsby’ Proves the Timelessness of Hip Hop
By Allison Loring on May 16, 2013 | Be the First To Comment
By Allison Loring on May 16, 2013 | Be the First To Comment
Interview: Composer Brian Tyler Ushers in Epic New Sound for ‘Iron Man 3’
By Allison Loring on May 2, 2013 | Be the First To Comment
By Allison Loring on May 2, 2013 | Be the First To Comment
Review: A Suitably Grimy Matthew McConaughey Delivers an Outstanding Performance in ‘Mud’
By Allison Loring on April 26, 2013 | Be the First To Comment
By Allison Loring on April 26, 2013 | Be the First To Comment
‘Filly Brown’ Composer Reza Safinia Brings Industry Experience to Indie Film
By Allison Loring on April 25, 2013 | Be the First To Comment
By Allison Loring on April 25, 2013 | Be the First To Comment
True Collaboration Could Make ‘The Mortal Instruments: City of Bones’ a Genre-Buster
By Allison Loring on April 24, 2013 | Be the First To Comment
By Allison Loring on April 24, 2013 | Be the First To Comment
Getting ‘Mud’-dy with Moody New Music from David Wingo and Lucero
By Allison Loring on April 18, 2013 | Be the First To Comment
By Allison Loring on April 18, 2013 | Be the First To Comment
Cliff Martinez’s Latest Score Builds Mystery For ‘The Company You Keep’
By Allison Loring on April 4, 2013 | Be the First To Comment
By Allison Loring on April 4, 2013 | Be the First To Comment
Interview: Composer Jeff Toyne Goes ‘Rogue’ to Create Music for DirecTV’s First Original Series
By Allison Loring on March 29, 2013 | Be the First To Comment
By Allison Loring on March 29, 2013 | Be the First To Comment
Review: ‘The Sapphires’ Shines With a Touching Story, Catchy Tunes, and a Stand-Out Performance
By Allison Loring on March 22, 2013 | Be the First To Comment
By Allison Loring on March 22, 2013 | Be the First To Comment
Return to Big Blockbuster Sound with Trevor Morris’ Action-Packed Score for ‘Olympus Has Fallen’
By Allison Loring on March 21, 2013 | Be the First To Comment
By Allison Loring on March 21, 2013 | Be the First To Comment
Adele Won an Oscar: What’s Next For Her Film Career?
By Allison Loring on March 7, 2013 | Be the First To Comment
By Allison Loring on March 7, 2013 | Be the First To Comment
In-Your-Face Sound Design and Music Create the Off-Putting World of ‘Stoker’
By Allison Loring on February 21, 2013 | Be the First To Comment
By Allison Loring on February 21, 2013 | Be the First To Comment
2013 Oscar Prediction: Best Original Score
By Allison Loring on February 19, 2013 | Be the First To Comment
By Allison Loring on February 19, 2013 | Be the First To Comment
2013 Oscar Prediction: Best Original Song
By Allison Loring on February 19, 2013 | Be the First To Comment
By Allison Loring on February 19, 2013 | Be the First To Comment
Composing for Sundance with ‘The Spectacular Now’ and ‘The Way, Way Back’ Composer Rob Simonsen and ‘The Rambler’ Composer Heather McIntosh
By Allison Loring on February 7, 2013 | Be the First To Comment
By Allison Loring on February 7, 2013 | Be the First To Comment
How Jeff Rona Used a Submarine to Make the Music for ‘Phantom’
By Allison Loring on January 31, 2013 | Be the First To Comment
By Allison Loring on January 31, 2013 | Be the First To Comment
Sundance 2013 Review: ‘Kill Your Darlings’ Falters By Telling Two Halves Instead of a Whole Story
By Allison Loring on January 27, 2013 | Be the First To Comment
By Allison Loring on January 27, 2013 | Be the First To Comment
Sundance 2013 Review: Honest Performances and Serious Subject Matter Elevate ‘The Spectacular Now’ Past Standard High School Fare
By Allison Loring on January 27, 2013 | Be the First To Comment
By Allison Loring on January 27, 2013 | Be the First To Comment
Experience Sundance 2013: Sundance is Over??
By Allison Loring on January 26, 2013 | Be the First To Comment
By Allison Loring on January 26, 2013 | Be the First To Comment
published: 05.21.2013
published: 05.21.2013
published: 05.21.2013
published: 05.21.2013
published: 05.21.2013
published: 05.21.2013
published: 05.21.2013
published: 05.21.2013
published: 05.21.2013
published: 05.21.2013
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Interview: James Badge Dale Doesn’t Need to See Himself on Camera
Alex Kurtzman and Bob Orci: ‘Star Trek Into Darkness’ Is Not a Remake
Short Film: ‘When the Day Breaks’ is a Gracefully Animated Slice of Surrealist Life
‘The Wrath of Khan’ May Be the Best ‘Star Trek’ For Fans, But It Plays Like Poison to Everyone Else
Kickstarter Isn’t the Problem with Kickstarter
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